Clay and craft, Cowbridge for Pottery and so much more

Clay and craft, Cowbridge for Pottery and so much moreClay and craft, Cowbridge for Pottery and so much moreClay and craft, Cowbridge for Pottery and so much more

Clay and craft, Cowbridge for Pottery and so much more

Clay and craft, Cowbridge for Pottery and so much moreClay and craft, Cowbridge for Pottery and so much moreClay and craft, Cowbridge for Pottery and so much more
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Studio Hazards, Risks and Safety Policy

Clay and Craft Cowbridge – Studio Hazards, Risks and Safety Policy

Clay and Craft Cowbridge is a working pottery studio. By entering the studio, attending a class, supervising a child, taking part in a workshop, using equipment, glazing work, collecting pottery, or remaining on the premises, you acknowledge that pottery, ceramics and creative workshop environments involve inherent risks.

We take health and safety seriously and make reasonable efforts to reduce risk. However, hazards cannot be removed entirely. All visitors, learners, parents, carers, staff, volunteers and contractors must follow instructions, behave responsibly, and take care of themselves and others while on site.

1. General Studio Environment

The studio contains clay, water, tools, glazes, kilns, electrical equipment, shelving, work in progress, drying pottery, sharp implements, heavy objects, cleaning materials, uneven surfaces and moving people.

Hazards may include, but are not limited to:

  • wet floors;
  • clay dust;
  • slippery clay residue;
  • trip hazards;
  • trailing bags, coats and personal belongings;
  • tools left on tables;
  • shelves and storage units;
  • stools, chairs and table legs;
  • drying boards and ware boards;
  • large or fragile pottery items;
  • hot surfaces;
  • chemicals and glaze materials;
  • machinery and hand-operated equipment;
  • electrical equipment;
  • kiln heat;
  • cleaning water;
  • sharp edges on broken pottery;
  • crowded workshop conditions during busy sessions.

All attendees must move carefully, listen to staff instructions, and avoid running, pushing, climbing, leaning on equipment, entering restricted areas, or touching items that do not belong to them.

2. Slips, Trips and Falls

Pottery studios frequently involve water, clay and cleaning. Floors may become wet, muddy, slippery or dusty during normal studio use.

Particular care must be taken around:

  • entrances and exits;
  • the step at the entrance or exit to the building;
  • areas where people wash hands, tools, brushes or buckets;
  • places where clay has fallen onto the floor;
  • areas recently mopped or cleaned;
  • wet footwear after rain;
  • spillages from drinks, water buckets or cleaning;
  • bags, coats and personal belongings;
  • stools and chairs;
  • pottery boards stored near walkways;
  • busy areas where people are moving around tables.

Wet floors may occur because of cleaning, spillages, weather conditions, clay use, glaze use, children’s activities, hand washing or people entering from outside.

Visitors must walk carefully at all times. Children must not run inside the studio. Parents and carers remain responsible for supervising children unless the session is specifically advertised as a drop-off class.

3. Entrance, Exit and Access Hazards

There may be a step, change in level, threshold, narrow doorway, uneven surface or obstruction at the entrance or exit to the studio.

All visitors should take care when entering or leaving, particularly:

  • in wet weather;
  • when carrying bags or pottery;
  • when supervising children;
  • when the studio is busy;
  • when visibility is reduced;
  • when floors are wet from cleaning;
  • when footwear is unsuitable.

Anyone with mobility issues, balance difficulties, visual impairment, injury, pregnancy-related mobility changes, or other access needs should inform staff before taking part so that reasonable support can be considered where possible.

4. Clay Hazards

Clay is generally safe when used correctly, but it can create risks.

Potential hazards include:

  • slips from wet clay on floors;
  • skin dryness or irritation;
  • clay under fingernails;
  • clay dust if dried clay is swept, scraped or sanded;
  • strain from wedging, lifting or working with large amounts of clay;
  • trapped air in work causing firing issues;
  • heavy or unstable pieces collapsing;
  • sharp edges on leather-hard or fired clay;
  • contamination from shared tools or surfaces.

Clay must not be eaten, thrown, flicked, rubbed into eyes, placed in mouths, or used in unsafe ways.

Dry clay dust must be avoided. Clay dust can be harmful if inhaled repeatedly or in large amounts. For this reason, dry sweeping, sanding, scraping or creating airborne dust is not permitted unless specifically authorised and controlled by staff.

5. Glaze and Chemical Hazards

The studio uses ceramic glazes, underglazes, oxides, stains, slips, engobes, decorative materials and cleaning products. These may contain minerals, colourants, fluxes, binders, preservatives or other chemical ingredients.

Glazes and ceramic materials must be treated with care.

Potential risks include:

  • skin irritation;
  • eye irritation;
  • accidental ingestion;
  • inhalation of dried glaze dust;
  • staining of skin, clothing or belongings;
  • allergic reaction or sensitivity;
  • contamination of food and drink;
  • unsafe use by children;
  • incorrect application leading to kiln damage or glaze failure.

Attendees must not:

  • eat or drink glaze;
  • place brushes, tools, clay or glaze materials in their mouth;
  • mix glazes without permission;
  • pour glaze into sinks unless instructed;
  • touch raw glaze materials without permission;
  • open labelled chemical containers;
  • use glaze materials outside supervised areas;
  • apply glaze to skin;
  • allow children to play with glaze as if it were paint;
  • use any material that has not been provided or approved by the studio.

Hands should be washed after handling clay, glaze or studio materials, and before eating or drinking.

Food and drink should be kept away from glaze areas unless staff have specifically confirmed it is safe to do so.

6. Glaze Application Risks

Glazing is part of the ceramic process and carries specific hazards.

Risks include:

  • glaze dripping onto floors;
  • slippery spills;
  • glaze getting into eyes;
  • brushes or tools being misused;
  • contamination between glaze pots;
  • sharp bisque edges;
  • inhalation of dried glaze residue;
  • glaze running in the kiln;
  • glaze sticking pieces to kiln shelves;
  • glaze results being unpredictable.

Glaze should be applied only as instructed. Over-application can cause glaze to run, bubble, crack, crawl, stick to kiln shelves or damage the kiln.

Studio staff may refuse to fire work if glaze has been applied unsafely, too thickly, incorrectly, too close to the base, or in a way likely to damage the kiln or other people’s work.

7. Kiln Hazards

Kilns are essential ceramic equipment and present significant hazards.

Kilns may be located in or near workshop spaces. Even when not actively being loaded or unloaded, they must be treated as restricted equipment.

Potential hazards include:

  • extremely high temperatures;
  • burns from hot kiln surfaces;
  • burns from hot shelves, props or fired work;
  • residual heat after firing;
  • electrical risk;
  • fumes or odours during firing;
  • sharp kiln furniture;
  • heavy kiln lids or doors;
  • trapped fingers;
  • restricted ventilation;
  • accidental contact in busy spaces;
  • children approaching or touching kilns;
  • stored work near kiln areas;
  • trip hazards from kiln furniture or loading equipment.

Kilns must only be operated, opened, loaded, unloaded or adjusted by authorised staff.

Visitors, learners and children must not touch kilns, kiln controls, kiln plugs, kiln furniture, kiln shelves, props, cones, thermocouples, vents, or anything in the kiln area unless specifically instructed and supervised.

A kiln may remain dangerously hot long after firing has finished. A kiln that appears off may still be hot enough to cause serious burns.

8. Firing Risks and Explosive Breakage

During firing, clay undergoes extreme physical and chemical changes. Pieces may crack, split, shatter, pop, explode, warp or break.

This can happen because of:

  • trapped air;
  • thick clay;
  • uneven wall thickness;
  • damp clay;
  • poorly attached joins;
  • heavy attachments;
  • uneven drying;
  • structural weakness;
  • unsuitable materials;
  • glaze applied too thickly;
  • glaze placed too close to the base;
  • foreign objects in the clay;
  • thermal shock;
  • natural kiln stresses.

Exploding or breaking work can damage nearby pieces, kiln shelves or kiln elements. Studio staff reserve the right to delay, refuse or alter firing arrangements where work is considered unsafe or unsuitable.

9. Burns, Hot Water and Heat Hazards

The studio may use hot water for cleaning, hand washing, tool washing or general studio maintenance. Hot water can cause burns or scalds.

Risks include:

  • burns from very hot water;
  • steam burns;
  • hot taps;
  • hot cleaning water;
  • hot pottery after firing;
  • hot kiln surfaces;
  • heated studio equipment;
  • heaters, if present;
  • hot drinks brought into the studio.

Children must be supervised around sinks, taps, kettles, hot drinks and cleaning areas. Hot drinks must be kept away from table edges and away from children’s working areas.

Visitors must not assume pottery, kiln furniture, water, tools or surfaces are cool unless staff have confirmed this.

10. Machinery and Equipment

The studio may contain hand tools, pottery wheels, slab rollers, extruders, banding wheels, cutting wires, rolling pins, trimming tools, modelling tools, brushes, sponges, knives, ribs, bats, boards, drying racks and other equipment.

Equipment must only be used as instructed.

11. Slab Roller Hazards

The slab roller is a piece of studio machinery used to roll clay into sheets. It can cause injury if misused.

Potential hazards include:

  • trapped fingers;
  • crushed hands;
  • trapped clothing;
  • pulled hair or jewellery;
  • strain from turning the handle;
  • heavy rollers or boards;
  • clay sticking or slipping;
  • people leaning into moving parts;
  • children placing hands near rollers.

Only authorised users may operate the slab roller. Children must not use the slab roller unless directly supervised by staff.

Hands, hair, jewellery, loose sleeves, lanyards and clothing must be kept away from rollers and moving parts.

12. Extruder Hazards

The extruder is used to push clay through dies or shaped openings. It may be wall-mounted or freestanding and can involve significant pressure.

Potential hazards include:

  • trapped fingers;
  • pinched hands;
  • falling clay;
  • sudden release of pressure;
  • heavy handles;
  • strain to shoulders, wrists or back;
  • unstable footing;
  • dies or components falling;
  • children pulling on handles;
  • incorrect assembly.

The extruder must only be used under staff instruction. No visitor, learner or child may operate it without permission.

Users must stand safely, keep hands clear, and follow all staff guidance.

13. Pottery Wheel Hazards

Pottery wheels involve rotating parts, water, clay and electrical equipment.

Risks include:

  • water near electricity;
  • slipping from wet floors;
  • clay splashing into eyes;
  • long hair, jewellery or loose clothing catching;
  • wrist, back, neck or shoulder strain;
  • dizziness or discomfort from the rotating wheel;
  • trapped fingers against bats or wheel heads;
  • incorrect posture;
  • stool instability.

Long hair should be tied back. Loose jewellery, scarves, dangling sleeves and lanyards should be removed or secured.

Users must stop the wheel before adjusting bats, tools or work unless instructed otherwise.

14. Sharp Tools and Cutting Hazards

The studio uses tools that may be sharp, pointed or capable of causing injury.

These include:

  • trimming tools;
  • cutting wires;
  • needles;
  • knives;
  • fettling knives;
  • carving tools;
  • loop tools;
  • metal ribs;
  • scissors;
  • broken pottery;
  • sharp bisque edges;
  • glaze-fired items with sharp glaze drips.

Tools must be used only for their intended purpose. They must not be waved, thrown, pointed at others, placed near table edges, or used without instruction.

Broken pottery must not be handled by children and should be reported to staff immediately.

15. Manual Handling and Heavy Objects

Pottery materials and equipment can be heavy. Clay bags, glaze buckets, kiln shelves, ware boards, large pots, tables, stools and equipment can cause injury if lifted incorrectly.

Risks include:

  • back strain;
  • shoulder injury;
  • wrist injury;
  • dropping items on feet;
  • crushing fingers;
  • falling shelves;
  • unstable carrying;
  • large work collapsing.

Visitors should not lift heavy items unless asked and instructed by staff. Closed-toe footwear is recommended where possible.

Staff may decline to help move work that is unsafe, unstable, excessively heavy or likely to break.

16. Dust and Airborne Particles

Clay and glaze dust can be harmful if inhaled, particularly over repeated exposure.

Dust may arise from:

  • dried clay;
  • dried glaze;
  • sanding pottery;
  • scraping dry surfaces;
  • sweeping dry floors;
  • trimming dry clay;
  • reclaiming clay;
  • handling powders;
  • cleaning shelves or boards.

The studio aims to minimise dust by using wet cleaning methods where appropriate.

Visitors must not sand, scrape, blow, sweep or disturb dry clay or glaze dust unless authorised and supervised.

Anyone with asthma, breathing difficulties, allergies, pregnancy-related concerns, immune vulnerability or chemical sensitivity should inform staff before taking part.

17. Electrical Hazards

The studio contains electrical equipment, which may include kilns, wheels, lights, extension leads, heaters, tills, chargers, appliances, fans, computers or other devices.

Risks include:

  • water near electricity;
  • damaged cables;
  • overloaded sockets;
  • trailing leads;
  • wet hands touching plugs;
  • equipment being switched on accidentally;
  • children touching plugs or controls.

Only staff should plug in, unplug, move or adjust electrical studio equipment unless permission is given.

Water must be kept away from electrical equipment.

18. Storage, Shelving and Falling Objects

The studio contains shelves, drying racks, boards, bisque, glazed work, tools, clay, stock, boxes and customer work.

Risks include:

  • items falling from shelves;
  • overloaded shelves;
  • fragile pottery breaking;
  • sharp fragments;
  • head injury from stored items;
  • children pulling items down;
  • unstable boards;
  • crowded storage areas.

Visitors must not touch shelving, drying work, stored pottery, kiln shelves, stock or other customers’ work unless instructed.

Children must not climb, pull or lean on shelves, racks or tables.

19. Paint-a-Pot and Bisque Hazards

Bisque pottery is fired but unglazed ceramic. It may be porous, dusty, brittle or sharp if chipped.

Risks include:

  • sharp edges;
  • breakage;
  • cuts from broken bisque;
  • dust;
  • paint or glaze staining;
  • children dropping items;
  • fragile handles or attachments breaking.

Customers are responsible for handling their chosen bisque carefully. Broken items may still be chargeable.

20. Children and Vulnerable Participants

Children, young people and vulnerable adults may be at greater risk because of curiosity, movement, sensory needs, reduced awareness, or difficulty understanding hazards.

Risks include:

  • touching kilns;
  • running on wet floors;
  • placing materials in mouths;
  • misusing tools;
  • spilling water or glaze;
  • climbing furniture;
  • wandering into restricted areas;
  • poor awareness of hot water or sharp items;
  • distress from noise, mess or sensory stimulation.

Parents and carers must supervise children unless the session is clearly advertised as drop-off.

For drop-off sessions, parents and carers must provide accurate emergency contact details, medical information, allergy information, behavioural information and any relevant support needs.

Clay and Craft Cowbridge aims to be inclusive, but we must be informed in advance of needs that may affect safety.

21. Allergies, Sensitivities and Medical Conditions

Participants must tell staff before the session if they have allergies, asthma, skin conditions, epilepsy, fainting episodes, sensory needs, pregnancy-related concerns, mobility difficulties, immune vulnerability, chemical sensitivities, or any condition that could affect their safety.

Materials may include clay, glaze, oxides, stains, latex-containing items, cleaning products, dust, mould traces in reclaimed clay, metals, preservatives, fragrance, soap, handwash, or other substances.

We cannot guarantee an allergen-free environment.

22. Clothing, Hair and Personal Belongings

Pottery is messy. Clay, glaze, underglaze, oxides and studio materials may stain clothing, shoes, bags, coats, jewellery, watches, phones and belongings.

Participants should wear suitable clothing and footwear.

Recommended precautions include:

  • closed-toe shoes where possible;
  • no long trailing sleeves;
  • long hair tied back;
  • jewellery removed or secured;
  • aprons worn where provided;
  • valuables kept away from clay, water and glaze;
  • phones kept away from wet areas.

Clay and Craft Cowbridge is not responsible for damage to clothing, jewellery, phones, bags, coats, shoes or personal belongings caused by normal studio activity.

23. Cleaning Areas and Sinks

Studio sinks and cleaning areas may contain clay water, glaze residue, tools, buckets, sponges, hot water, cleaning products and wet surfaces.

Risks include:

  • slips from spilled water;
  • burns from hot water;
  • blocked sinks;
  • chemical exposure;
  • splashback into eyes;
  • contaminated sponges;
  • broken pottery in cleaning areas.

Participants must follow staff guidance when washing tools, hands or pottery.

Clay, glaze and studio waste must not be disposed of incorrectly. Staff may restrict sink use to prevent blockages or contamination.

24. Restricted Areas

Some parts of the studio may be restricted for safety reasons.

Restricted areas may include:

  • kiln areas;
  • glaze storage;
  • chemical storage;
  • staff-only areas;
  • stock rooms;
  • cleaning cupboards;
  • behind counters;
  • machinery zones;
  • drying shelves;
  • work-in-progress storage;
  • any area marked or identified by staff as restricted.

Visitors must not enter restricted areas unless invited and supervised by staff.

25. Behaviour and Conduct

Unsafe behaviour is not permitted.

This includes:

  • running;
  • pushing;
  • shouting in a way that disrupts safety;
  • throwing clay or tools;
  • touching kilns;
  • misusing machinery;
  • climbing furniture;
  • interfering with other people’s work;
  • ignoring staff instructions;
  • entering restricted areas;
  • using equipment without permission;
  • consuming alcohol before or during sessions where this may affect safety;
  • attending under the influence of drugs or excessive alcohol;
  • aggressive, threatening or inappropriate behaviour.

We reserve the right to stop someone taking part, remove them from the session, refuse future bookings, or contact a parent, carer or emergency contact if behaviour presents a risk.

26. Alcohol and Adult Sessions

Some adult sessions may allow customers to bring alcohol. Alcohol must be consumed responsibly.

Participants remain responsible for their own conduct and safety.

Clay and Craft Cowbridge reserves the right to refuse access to tools, machinery, wheels, glazes, kilns or further participation if a person appears intoxicated or unsafe.

No alcohol is permitted in children’s sessions.

27. Fire Safety and Emergency Procedures

The studio contains electrical equipment, kilns, paper, packaging, furniture, clay materials and other items that may present fire risks.

Participants must follow all fire safety instructions.

Fire exits, walkways and access routes must be kept clear. Bags, coats, chairs and pottery must not block exits.

In an emergency, participants must follow staff instructions immediately and leave by the safest available exit.

Children must remain with staff, parents or carers as appropriate.

28. First Aid and Accidents

Accidents, injuries, breakages, spillages, burns, cuts, slips, falls, allergic reactions or near misses must be reported to staff immediately.

First aid may be provided by a trained person where available. Serious incidents may require emergency services.

Clay and Craft Cowbridge may record accidents or near misses for health and safety purposes.

29. Customer Responsibility

All customers, visitors and participants are responsible for:

  • following staff instructions;
  • reading safety information where provided;
  • supervising children where required;
  • wearing suitable clothing;
  • moving carefully;
  • using tools correctly;
  • reporting hazards;
  • disclosing relevant medical or support needs;
  • not touching restricted equipment;
  • treating the studio as a working environment;
  • acting with care towards themselves, staff and others.

Failure to follow safety instructions may result in removal from the session without refund.

30. Studio Discretion

Clay and Craft Cowbridge reserves the right to:

  • refuse use of equipment;
  • restrict access to machinery;
  • delay firing work;
  • refuse to fire unsafe work;
  • stop unsafe activity;
  • move customers away from hazards;
  • close areas of the studio;
  • cancel or rearrange sessions for safety reasons;
  • remove broken, unsafe or uncollected work;
  • refuse entry where a person presents a safety risk.

31. No Guarantee of Risk-Free Participation

We take reasonable care to reduce risks, but a pottery studio cannot be completely risk-free.

By attending, entering or participating, you accept that ceramics involves inherent hazards including heat, chemicals, water, dust, sharp tools, fragile objects, machinery, heavy materials, slips, trips, breakages and unpredictable kiln outcomes.

Your participation is conditional on following safety instructions and behaving responsibly.

32. Agreement

By booking, attending, entering the studio, allowing a child to attend, or taking part in any Clay and Craft Cowbridge activity, you confirm that you understand this is a working pottery studio and that hazards exist.

You agree to follow all safety instructions and accept that Clay and Craft Cowbridge cannot be held responsible for injury, damage or loss caused by failure to follow instructions, misuse of equipment, unsafe behaviour, undisclosed medical needs, normal ceramic risks, or hazards that arise despite reasonable care being taken.

Copyright © 2026 Clay and Craft Cowbridge - All Rights Reserved.

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